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      Jessie Allen Cooper, Proprieter 
       
      1-2004 
 
      What is a Cooper? 
      Cooper maker of barrels, minstrel, carpenter, handyman of
      the town or village. As you all know Cooper is a widely used
      word and has been recently used as first name, a car, a tire
      or a hockey helmet. Cooper means Barrel Maker!... 
      It took me over thirty years to understand and embrace the
      Cooper name and at one point I did make a oval-shaped frame for
      Leonardo Di Caprio, found on my art web site at cooperartscom. 
      In the fifth grade my teacher was creative and inspiring.
      He taught us how to write in a Egyptian hieroglyphic lettering
      font. I don't know if this affected anyone else in the class
      but for me it was one of the first creative experiences that
      I had. 
      Working with my hands seemed to come natural to me. Music
      and art interested me as a child, and to this day drive my creativity.
      However I had a woodshop teacher that would have a tremendous
      impact on my life. His name was Mr. Hublow and God bless this
      steadfast, maybe a little warped but kind hearted man, who is
      no longer with us. Mr. Hublow was the man that showed me the
      craft of woodworking, thus creating my first experience of being
      a Cooper. 
      Mr. Hublow was an eighth and ninth grade woodshop teacher,
      carpenter, ball busting, and insightful man, that at times threatened
      and sometimes used a large paddle with holes drilled in it to
      get across his point. ("That is that a", one of his
      preludes to a thought) I have to say that the man was respected.
      His manner of teaching was kind of like being in a military boot
      camp, but it did work, and to his favor I still have all my fingers
      and hands. Mr. Hublow's shop was fully equipped with power tools,
      including a full sized table saw, lathes, planers and all the
      finest shop tools of the day. 
 
      Being around wood had a tremendous impact on me. The smell of
      different woods, the smell of varnish, oils and other finishing
      supplies that at times I still use, became ingrained into my
      consciousness. I made several pieces of furniture and turned
      bowls on the lathe in Mr. Hublows class. To this day I still
      use his words of wisdom while working with my framing companions. 
 
         I wrote a poem called Since I first touched
      Wood:  
      Click to read the poem
 
 
      The home in which I grew up, located in Everett, Washington was
      medium sized with a good large upstairs. My brother and I turned
      it into our own psychedelic black light art gallery by painting
      on the walls and putting black light posters everywhere. 
      Music and art were always important to me and influenced me
      as much as woodworking, however that's another story. 
      In high school I took a class called carpentry taught by Mr.
      Reeber, this class was designed to turn young men into carpenters.
      During those two years we built a house, a garage, and some cabinets.
      I took carpentry in my junior and senior years of high school
      and at the end of those two years the fifteen or so guys that
      took the class had acquired two years toward becoming a union
      carpenter. 
      After high school I worked in a cabinet shop for several months
      and at Nord Doors for two years, which at the time was the largest
      door making company in the world. 
      The next seven or eight years my life were totally dedicated
      to music studies learning to write, record, and perform. Spending
      six years going to first community college and completing my
      studies at Western Washington University. After attending college
      I went on the road for several years performing throughout the
      Northwestern United States and Canada. 
 
         Being into performance and music composition
      I came to LA with a folder of art and all the possessions we
      had loaded into my van. Like all the rest of us that came here
      from somewhere else looking for fame and fortune. I had just
      gotten married and moved here with my new wife Linda Cooper.
      Linda is a nurse and was really supportive of me getting a job
      that would go with my music. 
      So with my carpentry and art background I wondered what type
      of job would go with my music carrier. Mind you, this was almost
      twenty four years ago. I had the idea of getting a job as a picture
      framer. After scouring around the Santa Monica -Venice, California
      area, I was hired by Salvatore Orlando, the owner of a local
      frame shop called Artists and Others. I worked running Artists
      and Others for a couple of years. An accolade must be given
      to Sal for being incredibly supportive of me not only as framer
      but as a musician.
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      In the early 1980's I went to work for Art Services.
      My job at Art Services was very unique as I worked directly
      under Manny Silverman and the best design staff in the city.
      My job was the head fitter and problem solver.
      Art Services has always been known for serving
      the rich and famous. The large staff there did framing for virtually
      everyone in the movie and music business of stature, as well
      as many galleries, collectors and museums.
      While in the back room at Art Services on Melrose
      I cut my teeth working in fast paced situations and with a interesting
      clientele, including Billy D. Williams, Farrah Faucet, Billy
      Wilder, Gemini, and in Steve Martins home.
      One Saturday an appointment was made for me to fit
      one of Silvester Stallone's Chigals into a finely crafted large
      gold leaf frame. I was told at that the piece was worth an undisclosed
      large fortune. At the time its value would have bought a nice
      home in Beverly Hills. The appointment was set and in the back
      room came a very large body guard, stating there's a piece in
      the jeep from Sly and I don't want to touch it. His paranoia
      kinda got to me but what do you say to a guy like that. I said
      no problem!... The piece was left with me and later when he came
      back to pick the piece up he had me carry the Chigal and put
      it into the truck. Sly had installed fear into this sherman tank
      of a guy.
      At one point after working at Art Services
      for a couple of years, Manny Silverman took me into his office
      and we decided that it was time for me to move on. At that time
      I started getting jobs working as a independent contractor. One
      of my first jobs on my own was going into Marsha Weismans home
      and changing out the Plexiglas on all of her works on paper from
      regular Plexiglas to UV filtering Plexiglas. (now deceased Marsha
      is Norton Simons Sister and for many years was married to Fred
      Weisman). Art Services supplied me with all the materials
      and I brought in all my own tools and performed the work right
      there in her home on her dining room table. She owned the finest
      collection of works on paper that I had ever seen in one place.
      Marsha was a true patron of the arts.
      Soon after working at Marsha Weisman's I was hired
      by Larry Bell to fit his show at the Laguna Art Museum circa
      1985. I spent days on the floor fitting his vapor drawings in
      the museum.
      Since I left Artists and Others several years
      before I was continually doing jobs on my own. After the Larry
      Bell show I was in business. J. Cooper Picture Framing was now
      a fledgling start up business. In the beginning I started up
      on my shop floor with a vice, hammer, and a old Morso Chopper,
      (the machine that cuts the 45 degree corners). In the beginning
      I had little work and I would have to go borrow Sals mat cutter
      to cut mats.
      For the next ten years I did framing and music. Working
      by day as a framer and by night as a musician. Building a name
      as the guy that could frame anything; special finishes, fabrications
      and designs.
      As the years past, I gradually became more and more
      known as a framer. By the mid 90's I landed my first real show,
      Charles Garabedian "The Labors Of Hercules", for the
      LA Louver Gallery. Over the last twenty three years J. Cooper
      Picture Framing has framed thousands of pieces of art, including
      dozens of gallery shows, as well as framing for collectors, doctors,
      attorneys, the rich and famous and regular folks.
      One of the things that I have enjoyed doing the most
      is taking an artist from having art and not knowing how to frame
      it, all the way to doing their own show. In relationship after
      relationship J. Cooper Picture Framing has become a very important
      part in taking an artist from being talented to being a success
      story. 
 
       
      To date I Jessie Allen Cooper owner of J. Cooper Picture
      Framing along with many key support contractors have been responsible
      for framing over 20,000 pieces of art.
      The special treatment that you receive at J. Cooper
      Picture framing is second to none. If we've worked for you in
      the past many thanks. If we haven't worked for you and what your
      looking for is quality and service in a safe environment for
      you and your art, give us a call.
      All The Best, Jessie Allen Cooper
      A partial client list:  
      Marc Flanagan, writer for TV including Tracy Uhlman 
      Blake Byrne, Top 200 contemporary collector 
      Marina Day, Artist many styles framed and hung six shows 
      Stas Orlovski , Artist/Art Teacher 
      Chuck Sloan, producer 
      Kim Light, collector and gallery owner 
      Lydia and Charlton Heston, re-framed dozens of pieces for personal
      collection. An accolade must be given to Lydia Heston for her
      fine photography work. Being the wife of a star is not easy and
      in her case her husbands fame far overshadowed her own creativity.
      Mark Helliger her electronic photo curator is responsible for
      bringing her photos to life. I Designed, framed, crated, worked
      with museums and curators in shipping making sure art arrived
      at destinations safely.
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